Album Art Live at Maxs Kansas City Be Stiff
Live at Max'due south Kansas City | ||||
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Live anthology by the Velvet Undercover | ||||
Released | May xxx, 1972 (1972-05-xxx) | |||
Recorded | Baronial 23, 1970 (1970-08-23) | |||
Venue | Max's Kansas Urban center, New York City, Us | |||
Genre | Rock | |||
Length | 38:21 | |||
Characterization | Cotillion | |||
Producer | Geoff Haslam | |||
The Velvet Cloak-and-dagger chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Blender | ![]() ![]() ![]() ![]() ![]() |
Christgau's Record Guide | B–[three] |
The Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
Rolling Rock 1972 | (non rated)[v] |
Rolling Stone 2004 | ![]() ![]() ![]() ![]() ![]() |
Live at Max's Kansas Urban center is a live album by the Velvet Underground recorded at the famous nightclub and eatery at 213 Park Avenue South in New York City. It was originally released on May 30, 1972, by Cotillion, a subsidiary label of Atlantic Records.
Background [edit]
The Velvet Underground signed a two-album deal with Atlantic in early 1970 and released their fourth studio anthology, Loaded, in November 1970. By the time of its release, singer/guitarist/main songwriter Lou Reed had left. The balance of the ring stayed together, with bassist Doug Yule moving to vocals and guitar and Walter Powers being drafted in to play bass.
This line-up did a tour of the Usa and Canada promoting Loaded. As the band still had a contract for another album, they wrote and played new songs eventually to be included on information technology. Atlantic had lost faith in the band'south commercial prospects and, wanting to cut their losses later the disappointing chart showings of Loaded, decided to release an archive live recording instead.
The tapes that would after become Live at Max's Kansas City were recorded on August 23, 1970, by Andy Warhol associate Brigid Polk on a portable cassette recorder. While they were recording Loaded, the Velvet Hugger-mugger held a 9-calendar week engagement (June 24 – August 28, 1970) at New York Urban center nightclub Max'southward Kansas Metropolis, playing two sets a dark. Polk recorded almost everything happening effectually her at the fourth dimension, and this happened to include her omnipresence of the concluding concert that Lou Reed played with the Velvet Underground. She recorded both the early on and the late set. Afterward that yr, Atlantic A&R employee Danny Fields heard the tapes and submitted them to his superiors, who accustomed the recordings and in 1972 decided to brand an anthology out of them. The line-upwardly at the concerts consisted of Reed, Yule, lead guitarist Sterling Morrison and drummer Baton Yule, the younger brother of Doug Yule; regular drummer Maureen Tucker temporarily left the group several months before when she became meaning with her kickoff child, Kerry "Trucker" Tucker.
Originally, Live at Max'due south Kansas City was a single album distillation of both sets re-sequenced and edited by Lou Reed and Atlantic staff producer Geoff Haslam to reflect the band'due south loud and quiet sides, respectively. On August 3, 2004, Warner Music re-issue label Rhinoceros Records released a 2-CD Deluxe Edition that contains both sets in their entirety in their original running social club. The songs were recorded on a mono recorder using a simple ferro musicassette in a small-scale venue, resulting in tape hiss and an audience often drowning out the quieter bits of music.
Author Jim Carroll can be heard speaking on the album, ordering drinks and inquiring about drugs betwixt songs equally he was the i belongings the microphone.
Track listing [edit]
All tracks written by Lou Reed except as indicated.
No. | Championship | Length |
---|---|---|
i. | "I'm Waiting for the Man" | 4:00 |
two. | "Sweet Jane" | iv:52 |
3. | "Lonesome Cowboy Bill" | iii:41 |
4. | "Commencement to See the Light" | 5:00 |
No. | Championship | Writer(south) | Length |
---|---|---|---|
five. | "I'll Be Your Mirror" | 1:55 | |
6. | "Pale Blue Optics" | 5:38 | |
vii. | "Sunday Morn" | Reed, John Cale | 2:43 |
8. | "New Age" | v:58 | |
ix. | "Femme Fatale" | ii:29 | |
x. | "Later Hours" | two:05 |
2004 reissue edition [edit]
All tracks written by Lou Reed except as indicated.
No. | Title | Length |
---|---|---|
1. | "I'1000 Waiting for the Man" | 5:l |
2. | "White Light/White Heat" | 6:07 |
3. | "I'm Prepare Costless" | 5:33 |
4. | "Sweetness Jane" (Version 1) | half dozen:18 |
5. | "Lonesome Cowboy Neb" (Version 1) | 4:41 |
vi. | "New Age" | half-dozen:44 |
7. | "Beginning to See the Light" | 5:40 |
No. | Championship | Length |
---|---|---|
8. | "Who Loves the Sun" | 2:17 |
9. | "Sweet Jane" (Version 2) | 5:58 |
10. | "I'll Exist Your Mirror" | iii:02 |
xi. | "Pale Bluish Eyes" | 7:10 |
12. | "Candy Says" | 5:48 |
13. | "Sunday Morn" (Reed, Cale) | 3:48 |
xiv. | "After Hours" | 2:l |
15. | "Femme Fatale" | 4:07 |
16. | "Some Kinda Love" | 11:22 |
17. | "Lonesome Cowboy Bill" (Version 2) | five:00 |
xviii. | "Atlantic release promo" (hidden track) | 0:49 |
2016 reissue edition [edit]
All tracks written by Lou Reed except as indicated.
No. | Title | Length |
---|---|---|
one. | "I'm Waiting for the Man" | 5:44 |
2. | "White Calorie-free/White Heat" | five:xv |
3. | "I'm Set Free" | 6:27 |
four. | "Sweet Jane" | 6:17 |
5. | "Lonesome Cowboy Pecker" (Version 1) | 4:20 |
vi. | "New Age" | six:38 |
seven. | "Beginning to See the Low-cal" | 5:42 |
8. | "I'll Be Your Mirror" | 3:27 |
ix. | "Pale Bluish Eyes" | 6:01 |
x. | "Candy Says" | 5:50 |
11. | "Sunday Forenoon" (Reed, Cale) | three:39 |
12. | "After Hours" | two:58 |
13. | "Femme Fatale" | 3:09 |
fourteen. | "Some Kinda Love" | 11:03 |
15. | "Lonesome Cowboy Bill" (Version two) | 4:17 |
Personnel [edit]
- The Velvet Undercover
- Sterling Morrison – pb guitar, bankroll vocals
- Lou Reed – vocals, rhythm guitar
- Doug Yule – bass guitar, backing vocals, atomic number 82 vocal on "Lonesome Cowboy Nib", "Who Loves the Sun", "I'll Be Your Mirror", "I'k Set Free", "Candy Says" and "New Historic period"
- Billy Yule – drums, cowbell
References [edit]
- ^ Deming, Mark. Live at Max's Kansas City at AllMusic
- ^ Blender (mag) 2004
- ^ Christgau, Robert (1981). "Consumer Guide '70s: V". Christgau'south Record Guide: Rock Albums of the Seventies. Ticknor & Fields. ISBN089919026X . Retrieved March 20, 2019 – via robertchristgau.com.
- ^ Larkin, Colin (2007). The Encyclopedia of Pop Music (4th ed.). Oxford University Press. ISBN978-0195313734.
- ^ Glover, Tony (August 3, 1972). "The Velvet Hole-and-corner: Live At Max's Kansas City : Music Reviews : Rolling Stone". web.archive.org. Archived from the original on February 7, 2009. Retrieved September iv, 2011.
- ^ Sheffield, Rob (July 26, 2004). "The Velvet Undercover: Live At Max's Kansas Metropolis : Music Reviews : Rolling Rock". web.archive.org. Archived from the original on February seven, 2009. Retrieved September 4, 2011.
External links [edit]
- The Velvet Clandestine Web Folio
- Max'due south Kansas Metropolis'south Official Website
pattersongived1963.blogspot.com
Source: https://en.wikipedia.org/wiki/Live_at_Max%27s_Kansas_City
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